The Memorable 1980 World Puppetry Festival

                          

Why I attended the impressionable conference held at Georgetown, Univ.,and the Kennedy Center for Perfoming Arts, Washington DC

An Inspirational Experience

The conference was a joint venture of the Union Internationale (UNIMA) and the Puppeteers of America, of which I was a member. Jim Henson, creator of the Muppets, helped organize the event.

To promote the festival, Statler and Waldof (his cranky, human, muppets) appeared in a series of Muppet TV advertising spots.  This resulted in 2000 eager attendees and performers from around the world.

Continuous, assorted, puppet show performances were featured at Georgetown University theaters and the Kennedy Center's seven theaters for the performing arts. The eclectic conference gained attention to puppetry, as an art form, to the National Endowment for the Arts, a govt agency.

Thereby, puppeteers could be funded through grants, to perform and teach puppetry classroom skills at colleges throughout the United States. I eagerly attended professional’s touring classes, and soon learned puppetry skills to instruct Kansas City workshops for teachers, to engage students in the creative arts.

Earlier, as a vital member and article submitter in the 1970s for “The Puppeteers of America” organization, I had created my own family Voco Poco Puppets show that toured Kansas City and Topeka. 

Our unique stage show featured ventriloquist puppets that interacted with a hand puppet theatre. Electric piano music embellished the comedic acts, providing sound coherence for multiple puppet vocals.

             

Subsequently, I was desirous to see the creative performances of world-renown entertainers on various stages of Georgetown University and Kennedy Center.

Multiple Georgetown and Kennedy Center theaters ran shows simultaneously for the entrants. Various types of puppets engaged.  (Ventriloquist figures, marionette, shadow, rod, and hand puppets).

The esteemed Kennedy Center featured celebrity film and TV puppeteers

The celebrity, Edgar Bergen, with his witty Charlie McCarthy sidekick, did not perform as Edgar had recently passed in 1978.

 Yet, Buffalo Bob Smith performed with his marionette Howdy Doody, of the 1960s TV show, “It’s Howdy Doody Time”, as did the Jim Henson’s Muppets.

Bill Baird’s marionette presentations were engaging at Kennedy Center, as he is best known for his work in the film “Sound of Music” where Julie Andrews and the children sang for the dancing marionettes. Baird was a protégée of the early 20^th century celebrated puppeteer, Tony Sarg. They designed the Macy’s balloons for the annual Macy’s Christmas parade.

The Smithsonian's Natural Museum of History and Technology's long-term exhibit displayed three celebrity, puppet characters together; Charlie McCarthy (Bergen’s ventriloquist figure), Howdy Doody (Buffalo Bob’s marionette), with Kermit the Frog (Henson’s hand and rod puppet).

Preferably, hand puppets (like the themed Muppets and Mr. Rogers’ Neighborhood) and ventriloquists’ acts are best suited for film (television shows and movies mediums), rather than performing on large stages with large audiences. These performers obviously had production challenges adapting to a live stage performance with a vast audience.

Sitting in stage left box at the Kennedy Center's concert hall

Viewing actual live Muppets, Baird’s marionettes, Mr. Rogers work, and Buffalo Bob with Howdy Doody, in close proximity overlooking the stage, was joyful, astounding.

As a Kansas City performing artist, I found my self sitting next to, and chatting with the noted Hazel Rollins (Hazel’s marionettes) of Kansas City.

Key take away of our chat was: “be careful how you plan the puppet’s posterity. The worst thing you can do is bequeath them to a museum that will store them on a numbered shelf, stored in a box.” She now has her varied marionettes distributed online for mass market purchase.

But, the greatest experience was meeting several of them personally, and obtaining their autographs.

My greatest surprise was bumping into Jim Henson while I ran up the back stairwell of the Georgetown University’s “Old Main” building. Recognizing him immediately, he offered his autograph on my notepad.

Inspired and motivated, two months later, in August, 1980, I created the nonprofit, Educational Media Therapy Consultants, Inc, aimed to research puppets’ effects on listening sequencing memory, and learning.

Brain-Based Learning Wins All

 Why Brain Based Learning? (coined in the 1990s, the decade of the brain)

Brain Based Learning improves cognitve functions that include focus and memory. (Many scientific research articles support this).We all desire this, but with so many quick-fix options on the market-place, we are at a loss with making a final decision.

Peruse my 45 years of data backed events, (four juried, award-winning, longitudinal reports) combined with recent YouTube videos. My websites memspan.com and memexspan.com offer many new insights.

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YouTube Videos

Your investigation is now a personal search that will lead to meaningful actions.

Discovering an Arts and Science Film Model

Creating, implementing, monitoring continual data analyses, then evaluating, and publishing with the medical model is a lofty goal. Then converting this successful executive function application to mainstream understanding is even loftier.

My learning disability training came from renowned The University of Kansas’ instructional center, located at the main Kansas City, Kansas hospital. The rigorous medical model training was based upon the neuro-psychological construct.

As a learning disability specialist and classroom teacher, in the ‘70s & ‘80s, I applied science and art to the accepted accelerated learning construct.

At that time, creative instruction, was not a friendly construct with some public-school districts, administrators, and educators that depended on government funding.

Traditional teaching methods were inherent and cemented.

To my dismay, I soon discovered:

1)   Referred students required psycho-educational testing and evaluations to qualify, and many did not.

2)   Many students were not being identified, and fell through the testing requirement cracks.

3)   Furthermore, public schools could lose funding when the student was remediated. To maintain the funding stability, a newly referred student was needed to replace the vacancy.

4)   This meant additional after school staffing meetings with teachers, and administrators who were reluctant to lengthen their work-day.

5)   Auditory/sound/listening training was minimal, if any. (for creating auditory/visual integration for proficient logic and conceptualization).  Lightweight "listening" training lessons existed, but there were few heavy practice routines, like athletic or musical training. 

These attributes created a large learning gap for most everyone. Many concerned parents became desperate and sought private remediation resources.

Many instructional programs soon emerged. Some were cumbersome tutorials, whereas the individual traveled to a new setting/location.

This awkward construct opened the pathway for online leaning as broadband emerged, decades later.

Regrettably, many online auditory/visual training methods had their shortcomings with limited achievement results.

Then, there was me with my “arts in science” cognitive skills enhancement program with a phonological practice system that was working.

 

 Problem: My vocalized puppets, sitting on stools, demanded a filming interface. Moving them to distant states to film studios would be difficult, time consuming, and costly.

Subsequently, I created my own home laboratory complete with sound - recording, lighting, and video equipment to formulate procedural learning segments.

 Locating a talented sound technician who could work on small piece sound segments, plus learn a new looping system, was no easy task.

 Yet, one walked in from nowhere, as I interviewed many local candidates.

 My earlier blog discussions revealed the reluctance of current day individuals, faced with memory and cognitive deficiencies to rely on pills and concoctions as an easy quick-fix.

 And, with lots of Social Media time involvements over-riding educational learning.

However, hasty mental solutions will not produce efficient procedural upskill training.

Fortunately, looping, vocalized, puppet characters can realize and maintain their phonological sequencing results through continued science research, upskill implementation practice, and technology.