Why I attended the impressionable conference held at Georgetown, Univ.,and the Kennedy Center for Perfoming Arts, Washington DC
An Inspirational Experience
The conference was a joint venture of the Union
Internationale (UNIMA) and the Puppeteers of America, of which I was a member.
Jim Henson, creator of the Muppets, helped organize the event.
To promote the festival, Statler and Waldof (his cranky, human, muppets) appeared in a series of Muppet TV advertising spots. This resulted in 2000 eager attendees and performers from around the world.
Continuous, assorted, puppet show performances were featured
at
Thereby, puppeteers could be funded through grants, to
perform and teach puppetry classroom skills at colleges throughout the
Earlier, as a vital member and article submitter in the
1970s for “The Puppeteers of America” organization, I had created my own family
Voco Poco Puppets show that toured
Our unique stage show featured ventriloquist puppets that interacted with a hand puppet theatre. Electric piano music embellished the comedic acts, providing sound coherence for multiple puppet vocals.
Subsequently, I was desirous to see the creative performances of
world-renown entertainers on various stages of
Multiple
The esteemed
The celebrity, Edgar Bergen, with his witty Charlie McCarthy
sidekick, did not perform as Edgar had recently passed in 1978.
Bill Baird’s marionette presentations were engaging at
The Smithsonian's Natural Museum of History and Technology's long-term exhibit displayed three
celebrity, puppet characters together; Charlie McCarthy (
Preferably, hand puppets (like the themed Muppets and Mr. Rogers’ Neighborhood) and ventriloquists’ acts are best suited for film (television shows and movies mediums), rather than performing on large stages with large audiences. These performers obviously had production challenges adapting to a live stage performance with a vast audience.
Viewing actual live Muppets, Baird’s marionettes, Mr. Rogers work, and Buffalo Bob with Howdy Doody, in close proximity overlooking the stage, was joyful, astounding.
As a
Key take away of our chat was: “be careful how you plan the puppet’s posterity. The worst thing you can do is bequeath them to a museum that will store them on a numbered shelf, stored in a box.” She now has her varied marionettes distributed online for mass market purchase.
But, the greatest experience was meeting several of them personally, and obtaining their autographs.
My greatest surprise was bumping into Jim Henson while I ran
up the back stairwell of the
Inspired and motivated, two months later, in August, 1980, I created the nonprofit, Educational Media Therapy Consultants, Inc, aimed to research puppets’ effects on listening sequencing memory, and learning.